Heroin-addicted, racist hipsters. Since 2012’s Oshin, Brooklyn’s trendiest recent export, DIIV, have been going through a maelstrom of bad press
There’s absolutely no doubt that Caroline Polachek is a great singer. Her voice is one of the best in the
There’s Friedberger DNA all over. Eleanor Friedberger’s influence on contemporary pop rock (nee “indie”) is hard to calculate, because it
It’s possible the best way to describe the new Battles album is to simply state that it sounds like Battles.
I’ve always found records like Amy Bezunartea’s New Villain difficult to talk about. By its very nature, it feels minor:
Where most artists seem to struggle within the confines of a concept, Julia Holter thrives. These concepts, instead of limiting
Beirut‘s newest album No No No is their first in about four years since The Rip Tide‘s release in 2011
What does it mean when a band releases five singles ahead of an album? Outside of the likes of Katy