I know I’ve listened to Ready to Die plenty of times while in college, but this week marks the first
A lot has happened in the life of Stefon Alexander since his last release under the moniker P.O.S in 2012. This
The punchline that Fin builds to over the course of its entire runtime likely won’t translate well to the page.
Culture, the second studio album from the Southern rap trio Migos, starts with its title track, in which DJ Khaled
First: goodness, what a collection of beats here. It loses its zest in its second half, but it never truly
Cakes Da Killa’s aesthetic—a liquid-tongued rapper who flaunts his gay lifestyle in the same way a straight rapper might brag
The convenience of putting present albums in this retrospective column, above all else, is that I don’t have to put
I don’t know how many albums like Asphalt for Eden the alt-hop scene can be expected to stand. There’s surely